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Home > Hancher > Cirque Éloize

Program - Cirque Éloize (February 24-25, 2006)

Contents

  1. Program for RAIN
  2. Cast and Crew
  3. A Word from Director Daniele Finzi Pasca
  4. About the Artists
  5. Production Notes

Program for RAIN

Columbia Artists Management Inc., Productions Éloize and L’Équipe Spectra present Cirque Éloize.

RAIN written & directed by Daniele Finzi Pasca.

Starring

Artists-acrobats-singers-dancers Jocelyn Bigras, Oksana Burliy, Jean-Philippe Cuerrier, Stéphane Gentilini, Catherine Girard, Krin Maren Haglund, Aimée Jannan Hancock, Nadine Louis, Bartlomiej Pankau, Jonas Woolverton, Jacek Wyskup.

The duration of the performance is two hours including intermission.

The use of any recording device, either video or audio, and the taking of photographs, either with or without flash, is strictly prohibited.

Scenes

Cirque Éloize, Rain

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Cast and Crew

Crew

Cast

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A Word from Director Daniele Finzi Pasca

I come from a family of photographers. My great-grandfather, my grandfather, and my father were all photographers. Later, my mom took up painting. I grew up in a world where memories were made up of moments snatched from time and frozen forever. In my shows, I simply make these images move.

The story takes place in a theatre where a circus show is in rehearsal, where theatre and reality blend into one another and you can't tell where one begins and the other ends. The protagonists exchange glances revealing little love stories, secret passions, flashes of intimacy. Their fragilities have slowly blossomed, surfacing in the ultimate moments of effort in the interplay of extreme equilibria. The artists are out of the past, characters from collections of old photos, handsome and strong like our grandparents. And then there is the sky, a vast sky.

When I was little, when the first summer storm came, I was allowed to go out in the garden and play in the rain and get soaked to the skin. I still love that feeling of freedom—shoes full of water, clothes drenched, hair dripping. "Let it rain," we'd say. It was as if we welcomed whatever came from the sky sun or rain, we didn't care.

Unexpected things can come from the sky: messages, signs, promises. On our stage, not only rain will fall. Surprises will pour down as well.

There's a certain kind of feeling in this show, almost a sense of nostalgia, like a strange need to go back to the house you came from, the house where a family once lived, where your roots are. In our house we called this kind of beautiful, sweet sadness that you feel when you look at a sunset, "rain in your eyes."

I want this show to be like a caress; simple, direct, filled with sensuality and tender hope. The protagonists in this adventure appear and gaze searchingly at the audience from the front of the stage. They begin a dialogue with the spectators, looking them straight in the eye. Then they are once again swallowed up by the surreal images of the story.

If I had to describe this show, I would say it is full of hope, joy, and a sweet longing, and that it is made of the stuff of my grandmother's stories. I dedicate it to all those who love to feel the rain pouring down on them.

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About the Artists

Cirque Éloize has been traveling the globe for over a decade, performing a magical brand of circus artistry that draws on the big-top tradition—and yet is entirely original. This unique ensemble trades the tent for the theatre with a show that combines time-honored circus acts with music, dance, theatre and performance in a new and exciting way. Since their inception, this award-winning Canadian troupe has performed for more than three million spectators in more than 200 cities and 20 countries. Their shows serve up a visual and aural feast that’s at once poetic, mystical, acrobatic and entertaining.

Jocelyn Bigras studied the classical repertoire before branching out into other genres. Since completing his music studies, he has been asked to collaborate as musician, accompanist, programmer or arranger, in many studio and stage productions. Over time, learning to play with voice and pen, he has become an author-composer and a performer. As well as touring throughout many cities in Québec and France with his songs and music, he has been the opening act for shows of Gilles Vigneault (Coups de couer Francophone 1996) and Julos Beaucarne (tour in Québec cities in 2000), and took part in a Claude Leveillé show (Festival d'été de Québec, 1999). Grand prize winner at the Francouvertes (Montréal, 1996), then winner of the Prix de l'amitié francophone (Visa francophone–France, 2001), this former finalist in the Canadian Music Competitions is joining Cirque Éloize, after many shows and involvement in two original albums, delighted by this unique opportunity for magical exchanges and collaboration.

Oksana Burliy studied acrobatics with her sister from the age of six, in the city of Kiev, Ukraine. Since that time, her passion for the discipline has never faded, and through her skills she has been able to discover the world. She has performed her Russian bar act with many international circus companies such as Zaparojia, the Cirque Gasser Olympia (Switzerland), the Cirque Arlequin (Poland), the Cirque Imagine and Zavata (France) and finally Cirque Voyage in Germany. Oksana was also a trainer for École de cirque Michellete in France.

Jean-Philippe Cuerrier was introduced to the circus arts at the age of eight when he attended the Verdun Circus School. There he discovered a passion for acrobatics and juggling, and ten years later he entered the National Circus School in Montréal. While perfecting his skills in his favorite disciplines, Jean-Philippe also mastered other apparatuses, including the aerial cradle. After graduation, he flew off for an eight-month tour in Switzerland with the Circus Starlight. Today, in addition to being part of Cirque Éloize's latest creation, Jean-Philippe tries to pass on his first passion to young people of the coming generation by teaching at the Verdun Circus School.

Stéphane Gentilini a native of France, Stéphane began his training with street theatre groups. In order to specialize in juggling, he entered the École nationale de cirque de Châtellerault in 1998, which in turn gained him admission to the National Circus School in Montréal; he studied there from 1999 to 2002. Since then his work has focused on manipulation of objects, which led to appearances with various circus and dance companies.

Catherine Girard started training at the age of four in classic ballet, rhythmic and artistic gymnastics, and theatre. After graduating from college in dance, she concentrated on the only discipline that combines all her interests: the arts of the circus. She is a graduate of the National Circus School where she studied three years with Jean-Philippe Cuerrier, another member of Cirque Éloize. Since then the two artists have combined their talents in aerial cradle acts. Since her encounter with this marvellous world, her passion for the circus has never left her. Subsequently, she worked with the Circus Starlight in Switzerland, then in France and with the Tout Fou Tout Fly. After winning in 2003 a Piste de bronze (Bronze Award) at the Festival de Tournai in Belgium, she has finally come and joined Cirque Éloize.

Krin Maren Haglund fell deeply in love with the circus as a little girl. After years of ballet, modern dance, gymnastics, and climbing everything in sight, she discovered an emerging voice in physical performance. While continuing to dance, Krin studied in Japan for two years and completed her B.A. in pre-med and Asian languages at Smith College in Massachusetts. Krin was satisfied with her academic pursuits, but she knew she had to give her childhood dream a chance. Krin headed for San Francisco to train at the Circus Center, where she attended the Clown Conservatory. In the Bay Area she danced, acted and performed in circus shows, including two seasons with the New Pickle Circus. Krin has many loves and interests in her life, but nothing inspires her as much as the circus.

Aimée Janaan Hancock found gymnastics too scripted and classical violin too subtle, Aimée found contentment in the crazy world of the circus: the perpetual challenge of being and living ever more intensely, the commotion of the lights, the applause and all the visual pleasures. Firm in her belief in the potential of circus training, Aimée has flown with people from all walks of life in the pursuit of trust, confidence, humanity and passion. Her intense circus training began at age 15, and she has continued accumulating new skills and growing through professional experience across Europe, America and the Caribbean. In each moment of her circus performance, Aimée strives to rediscover the details and delve into their broader significance.

Nadine Louis began training very young at the National Circus School in Montréal, then toured with Cirque du Soleil for seven years in the shows Nouvelle Expérience, Fascination and Saltimbanco. One of a quartet of contortionists, she and her three partners jointly received many recognition awards: the Golden Clown at Festival de cirque de Monaco, the Gold Medal at the 13ème Festival du cirque de l'Avenir in Paris, the Silver Crane at the Wuhan Circus Festival in China and a Gemini Award for the best performance in a variety program on Y.T.V. She has appeared on many television broadcasts, including the "Tonight Show with Johnny Carson," and performed the main role in the film Satie and Suzanne (Rhombus Media Inc.). Following her circus experience, she completed her studies in arts and communications at Collège Jean-de-Brébeuf, then trained for four years in acting at the National Theatre School of Canada.

Bartlomiej Pankau was born in Poland, and began doing Acro Sports at the age of eight. In 1997 he placed first in the international competition in Switzerland, and then won several championships in Poland and had other international successes. From 1999 to 2002 Pankau toured Europe with circus troupe Ocelot’s production Master. During winter seasons, he worked with Circus Sarassani in Germany. Pankau met his partner, Jacek Wyskup, while working in Ocelot, where they began to master their hand-balancing act. Pankau’s first contact with theatre came when he performed in Verdi’s opera Nabuccoi and more recently he was hired as an actor and physical comedian in the play Ghetto by Konzertdirektion Landgraf which toured Germany, Switzerland, Austria and Lichtenstein. He has also performed in many special events all over Europe. It is his life's dream to perform onstage as a circus artist, and he is thrilled to be a cast member of Rain because it’s the perfect fusion between circus and theatre.

Jonas Woolverton is a native of New York City. He studied dance, theatre, played accordion in a circus-rock band, Circophonique!, and graduated with a B.A. in film production from Vassar College. While working as a filmmaker in San Francisco, Woolverton saw Cirque Éloize's Excentricus and his life and his career path were forever changed. He knew that he had to find a way to work with this theatrical circus company and dedicate himself to the study of the enigmatic Cyr Wheel. The Clown Conservatory at the Circus Center in San Francisco gave him the formal circus training he needed, and he was hired to perform German Wheel and play accordion in the New Pickle Circus’ Circumstance, directed by Gypsy Snider, and received rave reviews. Ecstatic to now be a part of the international ensemble of Rain, he is living his dream of performing with Cirque Éloize. One day Woolverton plans to combine his passion and experiences in the circus with his love for making films.

Jacek Wyskup was born in a small town in Poland, Jacek Wyskup studied with two coaches who were world champions in Acro Sports many times over. He became a full-time performer when he was hired by the legendary cabarets Winter Garten in Berlin and Apollo Variete in Düsseldorf, where he perfected the art of hand balancing. Wyskup began working with his partner, Bartek Pankau, when both were performing in the circus troupe Ocelot, and they mastered their hand-balancing act in Pasca founded Teatro Sunil in Lugano, Switzerland in 1983. Fascinated by the world of clowns, he developed the concept of Teatro della carezza (the Theatre of the Caress). In 1991, he created the one-man show Icaro, which defined his aesthetics and style as a creator. He has written and directed 14 stage plays and produced more than 20 shows both with his own troupe and elsewhere around the world. His shows, which are marked by profound humanity and a playful spirit, have toured the globe. Over the years, he has developed a structured vision of the theatre and a unique acting technique, which he is often invited to present at universities and theatre schools. Casa Grande has published his collection of short stories entitled Come Acqua allo specchio as well as the complete script of Viaggio al confine. In 2001, Cirque Éloize invited Daniele to direct their show Nomade. This successful collaboration with Cirque Éloize continued with the creation of Rain in 2003. The following year, Cirque de Soleil asked Daniele to create their new touring show Corteo, that was launched in April 2005.

Daniele Finzi Pasca (Director of Teatro Sunil and Author and Director) was born into a family of photographers and grew up in his father's darkroom, following in the footsteps of his grandfather and great-grandfather. His collaboration with his brother Marco began early in life, and together they founded two small soccer teams: Finfazu first, followed by Canarivi. Daniele's introduction to the world of the circus came through gymnastics, and he later took his first steps on stage under the guidance of a clown named Fery. In 1983, he moved to India, where he worked as a volunteer looking after the sick. Upon returning to Switzerland, he founded Teatro Sunil, which he still heads to this day. His lifelong fascination with clowning led to a collaboration with Maria Bonzanigo, from which sprang a theatrical technique that they would call Teatro della Carezza.

Finzi Pasca was sentenced to a short stay in prison for acting as a conscientious objector, and during that time he put the finishing touches on his trilogy dedicated to "escape." One part of this trilogy was Icaro, a monologue for an audience of one. Interpreted by Finzi Pasca, and performed for more than 15 years in six different languages, Icaro has been presented around the world. This benchmark show would come to define the essence of style and elegance that is Teatro Sunil. The years that followed saw Finzi Pasca create and direct some 20 shows with Teatro Sunil. His projects have been seen in more than 20 countries and are marked by a profound sense of humanity and playfulness. They include: Rituale, Viaggio al Confine, Dialoghi col Sonno, Percossi Obbligati, Giacobbe, 1337, Aitestás and Te amo.

The presentation of Visitatio as a coproduction with Carbone 14 (Montréal) put Finzi Pasca into contact with Jeannot Painchaud and Julie Hamelin of Cirque Éloize, and they invited him to write and direct their latest production. Nomade was the fruit of this first collaboration, and it gained immediate international recognition. Almost one year later, Nomade was followed by another production entitled Rain—Comme une pluie dans tes yeux. These two shows have been presented in New York, San Francisco, Paris, London, Hong Kong, and more recently, in Rome and Milan, among other cities. Cirque du Soleil entrusted Finzi Pasca with the creation of its most recent production, Corteo, which premiered in Montréal in April 2005. Corteo is currently touring in the U.S.

Ever faithful to his early influences, the projects that Finzi Pasca produces are stamped with his personal theatrical style and vision, creating a distinctive stage presence and methodology for his performers, which he is often asked to present in theatre schools and academies.

Guillaume Lord (Set Design), a versatile set designer, is equally interested in dance, theatre, opera and film. Through his association with choreographer Jean Grand-Maître, he has worked with some of the world's most prestigious ballet companies. In theatre, he regularly collaborates with director Serge Denoncourt. Their teamwork garnered him the Gascon-Roux award as well as the trophy for the best set design at the Gala des Masques for Le temps et la chambre in 1995. He also designed the sets for the Arturo Brachetti Show, which toured the world.

Mérédith Caron (Costume Design) has designed sets and costumes for many major theatrical events in Montréal. She has close to 200 stage and film credits, including Le Songe d’une nuit d’été, La vie est un songe, La Serva Amorosa and Don Juan, which earned her Théâtre du Nouveau Monde’s Gascon-Roux award. She also garnered a Masque and Gemini for Best Costumes for Don Juan, as well as another Best Costumes Gemini for the film J’t’aime gros gros gros. Since 1998, she has been invited to the Stratford Festival. In addition, she teaches art history and costume design at the National Theatre School of Canada.

Martin Labrecque (Lighting Design), known for the originality and texture of his lighting, has done lighting design for nearly 90 productions. In 2001, he won a Masque Award for Lighting Design for Mikhaïl Ougarov‘s L’homme en lambeau. In 2005 he won a Masque Award for his lighting design on Le peintre des madones, directed by Serge Denoncourt. He co-wrote Everybody’s Welles pour tous with actor-writer Patrice Dubois which was honored as the best Montréal production in 2005. He has collaborated on many of Daniele Finzi Pasca’s projects such as Rain and Nomade. He has also worked on Cirque du Soleil’s Corteo.

Krzysztof Soroczynski (Head trainer, acrobatic group acts designer, casting agent) is a lifelong circus lover who began his acrobatic career in Poland in 1965. He worked with Cirque du Soleil first as a performer and then as a trainer. A co-founder of the Verdun Circus School, he joined Cirque Éloize in 1999, becoming head trainer and talent scout. He has passed his passion on to his son, who appears in Nomade.

Maria Bonzanigo (Music Composer & arrangements on recorded soundtrack), joined Teatro Sunil in 1984 and, together with the troupe's founder, Daniele Finzi Pasca, quickly became one of its pillars. Not only is her music part of most of the company's shows, she also contributes to the majority of productions in her capacity as actress, dancer, stage director and choreographer. Maria studied composition with Paul Glass and dance with Rosalia Chladek. In 1996, her piece for flute, oboe and cello entitled Trialogo was included on a CD produced by Jecklin. Teatro Sunil has also issued two CDs based on her finest incidental music. She co-composed music and serves as assistant to the director in the closing ceremonies of the XX Olympic Winter Games in Torino 2006.

Lucie Cauchon (Music Composer & arrangements for live music) is a trained pianist with expertise in classical music and jazz. She has composed for the jazz band A Few Colors, worked in television, and accompanied many singers. From 1987 to 1990 she traveled with Cirque du Soleil as tour musician. This is her third collaboration with Cirque Éloize. She previously composed the music and conducted the orchestra for Excentricus and co-composed and arranged the music for Nomade. She also composed the music for a clown show called Typo produced by Theatre & Co.

Daniel Cyr (Technical & acrobatic research & development) is a native of the Magdalen Islands and is a co-founder of Cirque Éloize. He studied several years at the National Circus School, and has presented his ladder act at a number of festivals. Over the years, he has worked with many Québec circus troupes. Following the creation of Cirque Éloize, he polished his act, traveling the world for almost nine years with the company's first two productions: Cirque Éloize and Excentricus. In his ongoing artistic quest, he has designed new acts and new apparatuses, including the Cyr Wheel, for which he developed the techniques.

Dolores Heredia (Acting preparation) is an actress, filmmaker and producer, and since 1994 has been a member of Teatro Sunil. She has also collaborated with El Centro de Expérimentación Teatral, directed by Luis de Tavira, and with La Compañia Nacional de Teatro. In addition, Dolores was invited by José Luis Gomez to join Madrid's El Teatro de la Plaza. In her cinematic career, she has been involved in some 15 feature films. She received the Best Actress Award at El Festival Internacional de Cartagena in Colombia and was similarly honored at Le Festival international du cinéma d’Amiens in France. Recently, she played in Te Amo a theatrical piece directed by Daniele Finzi Pasca and presented to Mexican and Québec audiences.

Nicolas Descoteaux (Moving Lights Programmer) has conceived numerous lighting designs for Canadian theatrical productions since 1992. His technical and artistic knowledge has led him to fruitful collaborations with renowned creators such as Robert Lepage and Marie Chouinard. He has participated in many international tours as lighting director, in addition to working on various events in Québec. He was nominated for awards by the Académie québécoise du théâtre in 1995 and 1998 and was a Conseil des arts et des lettres du Québec winner in 1999 and 2001. He continues to perfect his craft in a variety of artistic fields.

Suzanne Trépanier (Make-up Design) has been performing modern dance for the past two decades. Over the years, she developed a deep interest in the art of make-up application. While today she works both in television and in film, her preference for the stage arts has led her to concentrate primarily on theatre. She has been the make-up designer for a number of theatrical productions, including Howie Le Rookie (Théâtre de la manufacture), La Poste Populaire Russe and (Oncle) Vania (Théâtre de l'Opsis), and Une si belle chose (Théâtre du Rideau Vert). Rain is her third collaboration with Cirque Éloize after Cirque Orchestra and Nomade.

Roch Jutras (Assistant Director) has performed on stage, in the ring, on television and in film. In 1985 he received National Circus School's student of the year award. The following year he joined Cirque du Soleil for its production La Magie Continue and continued his collaboration with the company in 1987 in Cirque Réinventé. In 1992 he joined Switzerland's Le Cirque Knie. In 1994-95 he became Cirque Éloize's very first clown. As a member of the Cirque du Monde project, in 1998 he left for Chile to work with street youth there. He later served for three years as artistic coordinator for Cirque du Soleil's production Dralion.

Patrick Loubert (Assistant Director & Stage Manager) trained in set design at Collège Lionel-Groulx, from 1992 to 2000, and worked as assistant director, stage manager, producer and tour director for Avanti Plus. In 2001, he joined the tent tour of the Cheval Theatre as assistant tour director and logistics manager. In 2002-03 Patrick joined Cirque Éloize to direct the American tour of Nomade. Patrick is now part of the Cavalia team as tour director since August 2003.

Julie Hamelin (Cirque Éloize Co-Director and Rain’s Creative Producer) pursued her career in cinema—after studying psychology and communications in university—before entering the world of the circus. She joined Cirque Éloize a few months after it was founded and soon became one of the key players in the company, serving as co-director since 1998. She works in several areas within the company, including marketing, where she helps to define the image of the young company, both nationally and internationally; market development, where she oversaw the international outreach of Excentricus and subsequent productions in the U.S., Europe, Asia and Australia; and creatively in the area of artistic direction, in collaboration with Jeannot Painchaud.

In 1999, Hamelin propelled the company onto the international market by producing a four-week series of Excentricus at the Edinburgh Festival in Scotland, hosting 150 international producers and presenters in the process. In 2001, she signed a partnership agreement with the largest talent agency in the U.S. and has forged major partnerships in several European markets. Thanks to her international development, the company has presented more than 3,000 performances in more than 20 countries, and has participated in many prestigious international festivals.

Hamelin and Jeannot Painchaud initiated and cultivated a relationship with Daniele Finzi Pasca and his company, Teatro Sunil, in 2001. The first fruit of this partnership was Nomade, produced in 2002. The partnership was reunited in 2003 for Rain, premiered in 2004. In addition to overseeing production, she played a key role in artistic direction as tackled the new role of creative producer.

In 2004, Hamelin developed a strategy that resulted in a six-week run of Rain on Broadway, where it piqued the interest of the press and major producers. She subsequently developed the strategy for the presentation of a four-week run in a key theatre in the San Francisco Broadway network. Once again, the show garnered rave reviews from the press, and from producers on the American West Coast.

Between these two creations, she founded Theatre T. & Co, which produced and supervised the international promotion of a show by Jamie Adkins, entitled Typo. Adkins is an artist whose evolution in Excentricus was observed with great interest.

In the summer of 2005, Hamelin is assisting Daniele Finzi Pasca in the creation and production of the closing ceremonies for the XX Winter Olympic Games in Turino, Italy. As first assistant stage director, she is assisting Finzi Pasca in the writing of the closing ceremonies, and will be monitoring the progress of the project until the finishing touches are put on the final script, as well as working with the production department on the production process. She is responsible for overseeing the design of all group choreographies for the production team.

Jeannot Painchaud (Cirque Éloize Co-Director) is a graduate of Montréal’s National Circus School, and his career has spanned two decades. He started out as an artist, working with various circus companies and multidisciplinary artistic groups for 12 years. He performed on stage or under the big top as part of a trio, a duet, and even solo, and toured the world constantly. At the start of his career, he travelled extensively throughout Europe as a public entertainer. He continued his training at the same time, mainly in acting, through a series of internships. An acrobat and juggler, his specialty is artistic bicycling. In 1989, he spent some time at the Centre national des arts du cirque (CNAC) in Chalon sur Marne, France.

He was a member of the Québec-based Cirque du Tonnerre company in 1990-91, and he earned a bronze medal at the 1992 Festival Mondial du Cirque de Demain in Paris for his artistic bicycling presentation. He then joined Cirque du Soleil on tour, which took him on his first trip to Japan. Painchaud founded Cirque Éloize in 1993. During the early years, he performed on stage and directed the company's productions. In 1998, he left the stage to dedicate himself fully to the direction of Cirque Éloize. He has continued to focus on the company's evolution ever since, working in collaboration with Julie Hamelin, who is responsible for international development. Today, Painchaud and Hamelin are co-directors of Cirque Éloize, whose shows have been seen by more than three million spectators in 200 cities located in some 20 countries around the world since 1993. The company's sensitive and unique approach elicits praise wherever it tours, and its achievements have resulted in Cirque Éloize being recognized as one of the leaders among contemporary circus companies.

In 2001, Painchaud staged the first version of the show entitled Cirque Orchestra. He is particularly interested in the blending of artistic forms and the versatility of artists, and thrives on bringing together teams of creators and artists in the context of stimulating and innovative projects. The integration of other forms of entertainment with acrobatics is a driving force for Painchaud, and this vision demands the support of creators in the theatre and contemporary dance milieus.

In 2001, Painchaud and Hamelin met Daniele Finzi Pasca, a stage director and founder of Teatro Sunil who has become a major influence on Cirque Éloize. Finzi Pasca has created two shows for the company: Nomade and Rain. These two productions are currently touring the world. Painchaud is also the artistic direction and staging advisor for Typo, a show produced by Theatre T & Co. that is also enjoying a world tour.

In 2003, he founded the first North American Circus Festival, the Semaine des arts du Cirque, which was held in his home region of Magdalen Islands. A self-directed artist and entrepreneur, Painchaud's extensive travels have taken him to more than 25 countries, and today, he continues to pursue his dream and primary mission: to have the circus arts recognized as a full art form.

In 2005, Painchaud was invited by Finzi Pasca and Teatro Sunil to join the creative team for the closing ceremonies of the Winter Olympic Games in Turin, Italy. The seven-person team includes five members of Teatro Sunil and two members of Cirque Éloize. As assistant to the stage director, Painchaud is in charge of the acrobatic components of the ceremony.

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Production Notes

Production Team

Technical Team on Tour

Soundtrack

Recorded in Switzerland in "La Darsena" at Matteo Mazza's "La scìma" Studio and in Montréal at Le Divan Vert.

Musicians in Switzerland

Musicians in Montréal

Cirque Éloize Administrative Team

For Alligator Company LLC

International Booking

Columbia Artists Management LLC
Jean-Jacques Cesbron
Tel. 212/841-9729

Special Thanks

Douglas Rankin for his support. Ronald Wilford, Gary McAvay, Aldo Scrofani, Alain Simard, Margaret Cotter.

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